LC0047

A composition about a tree seed drawn in a single stroke. The simple tick — two blades diverging at an angle, with uneven edges — is the samara itself: the wing on which the seed flies off the branch. The author takes the most economical of signs and multiplies it into a falling stream.

The pyramid is dense, thicker toward the centre and the base, thinned at the edges and above. Over the mass runs a net of bare cables with glowing points — the air above the stream.

By day it is a fall of seeds sketched in strokes alone: clear mixed with polished gold, read through silhouette. In the evening the irregular facets refract the light and scatter it in white sparks, the gold ticks reflect it and flare warm, and because the array is dense the glow passes from element to element — the whole mass shimmers. Seeds seen against the light.

Where it works

Generous rooms — lobbies, atria, double-height living rooms, banquet halls. The pyramid needs height: pressed to the ceiling it loses its silhouette.

Selection by space: Hotel lobby and public spaces · Double-height living room · Atrium · Banquet hall

Style

Contemporary minimalism and the graphic school: the sign instead of the image. The message is light — a piece for an interior that likes things left unsaid.