LC0010

A composition about a sheaf. The ribbons stand almost upright, layered and overlapping, ragged at the top and tapering below — this is how a sheaf is tied: caught at the base and left to open above.

Each ribbon is bent and twisted in its own way, with sharp cut ends. The ribbing is hidden on the reverse; outside there is only clean gloss — the piece shows its face and hides its lining.

By day it is a sheaf of paper ribbons: white gloss read through light, shadow and overlap, light and graphic. In the evening the light escapes through the narrow gaps and lights the ribbed undersides — a white glow stands inside the composition while the outside stays glossy, and at the cut ends the light flares into bright points. A reed bed lit from within.

Where it works

Living rooms with high ceilings, stairwells, lobbies, atria. The vertical sheaf needs height rather than floor area.

Selection by space: Hotel lobby and public spaces · Stairwell · Atrium

Style

Scandinavian minimalism and organic modernism: the sheaf as a form without decoration. The message is clean and bright — a piece for a white palette.