LC0132

A composition about undergrowth. The pods are gathered in groups of three to five, in the manner of an inflorescence — neither singly nor as a solid mass. That is a botanical principle: a plant always grows in nodes, and the author keeps to it.

The column is uneven: it thickens in places and almost breaks off in others. Bare cables with small white beads run between the clusters, working as hatching. The vertical reads as grown rather than assembled.

By day it is a botanical study — milky white mixed with clear green from grass to olive, a clean graphic form. In the evening the sources sit in the nodes rather than in each element, and the glow is distributed in patches: the white pods diffuse it milkily, the green ones fill with a grassy tone. This is how sunlight breaks through real undergrowth — unevenly.

Where it works

A vertical format — stairwells, atria, double-height living rooms, winter gardens. It needs height rather than width: the composition builds downward in a single stream.

Style

Organic modernism and botanical aesthetics: the plant without stylisation. The message is fresh and alive — a piece for an interior that loves greenery.