LC0339

White on white — the hardest task in product design: with the colour taken away, form has nothing left to hide behind.

Here it holds. You can see how the thickness of a petal changes from base to tip, how it catches light with its gloss, how the double tier gives volume without a single hint of colour.

The glow shows through at the edges and the flower becomes half-transparent — not a glowing object but an object that light passes through. The difference is fundamental, and the whole piece rests on it.

By day you can see how the thickness of a petal changes from base to tip and how it catches light with its gloss: the double tier gives volume without a single hint of colour. In the evening the glow shows through at the edges and the flower becomes half-transparent — not a glowing object but an object that light passes through.

Where it works

The most universal version of the series: above a table, in a bedroom, in a hallway, in a meeting room, in a study — anywhere that needs an accent without colour.

Style

Suits almost any interior — from strict minimalism to classicism with mouldings. The message is restrained perfection — the piece declares taste through quiet rather than through brightness.