Нахимовский проспект, 24, стр. 1, павильон 2, стенд 212
WIPO Madrid international trademark registration
A bespoke brand of collectible lighting and decorative compositions in artistic glass, crystal, ceramics and metal.
light installations for hotels and restaurants
MUSE Design Awards 2026 — Gold Winner · Lighting Design — Designer / Custom Lighting · «Oceanic Illumination», composition LC0564
MUSE Design Awards 2023 — Platinum Winner · Lighting Design — Designer / Custom Lighting · composition LC0237
Awwwards 2026 — Nominee · Vargov®Design 3D Configurator
IDA Design Awards 2025 — Honorable Mention · Home & Living / Lighting · light composition LC0516
IDA Design Awards 2022 — Silver · Illumination — Designer Lighting · composition LC0236
LIT Lighting Design Awards 2025 — Honorable Mention · Designer / Custom Lighting · composition LC0447
LIT Lighting Design Awards 2022 — Winner · Designer and Custom Lighting · composition LC0223
LOOP Design Awards 2025 — Winner · Products | Lighting Design · composition LC0458
SIT Furniture Design Award 2025 — Winner · Designer & Custom Lighting · composition LC0358
SIT Furniture Design Award 2023 — Winner · Designer & Custom Lighting · composition LC0292
Luxury Lifestyle Awards 2024 — Winner · Best Luxury Lighting Design Studio in Dubai, UAE
ADD Awards 2024 — High Jury member of the award's 10th season — Anton Vargov
ADD Awards 2023 — 2nd place, 9th season · Interior & exterior objects · built project, composition LC0342
European Product Design Award 2023 — Winner · Home Lighting: Hanging / Pendant · composition LC0339
NY Product Design Awards 2023 — Product Designer of the Year · Lamps & Luminaires — Pendant Luminaires · composition LC0343
NY Product Design Awards 2023 — Gold Winner · Lamps & Luminaires — Decorative Lighting · composition LC0313
NY Product Design Awards 2023 — Gold Winner · Lamps & Luminaires — Hanging Lamps · composition LC0313
BLT Built Design Awards 2023 — Winner · Electrical & Lighting Systems · composition LC0343
The London Design Awards 2023 — Platinum Winner · Product Design — Lighting · light composition LC0326
International Architecture & Design Awards · ADC 2023 — Platinum Winner · Lighting Product Design Built / Professional · light composition LC0303
International Architecture & Design Awards · ADC 2023 — Gold Winner · Lighting Product Design Concept / Professional · «Drapery», composition LC0323
Houzee Awards 2023 — Gold Winner · Lighting Design · composition LC0335
Interlight Russia · Russian Lighting Design 2022 — Special prize · Best luminaire design 2021–2022 · composition LC0217
Vargov®Design catalogue — structured product data
All compositions of the Vargov®Design catalogue as schema.org Product nodes: article codes, photographs, categories, awards and canonical pages in eight languages. Generated from the site data on every build.
The same flock in a floor format. Around a vertical pole the birds circle in a rising spiral, and the eye reads the movement from the bottom up: the flock takes…
Account listing by tag. May also include models of related items from the same series.
A composition about a flock at dawn. The birds are lit from below — the way they look at the hour when the sun is still under the horizon and the light comes from…
Wall and ceiling decorative composition LC0600
A composition in two layers. The first is the hemispheres themselves with their engraved coral pattern: branching, cellular, radial structures, no two drawings…
A composition about a stained-glass window taken out of a wall. The engraving repeats the architecture of old cathedrals: lancet windows, openwork façades, round…
A composition about an evening horizon. Hundreds of narrow plates on cables of differing length form the silhouette of a city: setbacks, towers, gaps, light in the…
A composition about the elements. A soft undulating lower edge makes the silhouette alive: at the bottom the composition does not break off, it runs down — banners…
A composition about a quiet dialogue. Discs of two characters — matte white with radial pleating and clear with a faceted radial drawing — hold a conversation in…
A composition about a dialogue between the wild and the perfect. The base is an unworked black stone with chipped facets, but on its cut face a honeycomb pattern…
A composition about reversed roles. By day it is a sculptural panel: a play of relief, matte surface and mirrored facets in which the white discs lead, with a deep…
The same bouquet, gathered more quietly. The umbrellas stand closer together and almost at one level — not a scattered inflorescence but a dense head from which…
The same bouquet, opened wider. The umbrellas are spread across the height and turned in different directions — each catches its own angle, and the vertical stops…
A composition about a bouquet in which the light has opened. From the base rises a bundle of golden stems, and on each a pleated parasol unfurls — a form that…
A composition about cartography. Inside every plate is a labyrinth of relief lines: the veins of a leaf, the meanders of river beds, the contour rings on an old map.
A composition about a line drawn in the air. Curved clear tubes join into continuous trajectories — loops, orbits, strokes; every composition becomes a gesture of…
A composition about honey through a comb. The light passes through the modules densely, slowly, enveloping — it does not pour, it seeps.
A composition about topography. The upper and lower contours of the field change smoothly along its whole length — like contour lines on a map, like a mountain…
A composition about a galaxy of one's own. Planets hang in different orbits, elongated golden elements stitch the space between them like rockets on the launch…
A composition about the cable becoming the hero. It is usually hidden — here hundreds of fine cords descend from the ceiling as a dense stream, each ruling the…
A composition about a joke told in earnest. Driplight repeats the silhouette of a medical drip stand: a polished pole, a fine tube, a control switch and, in place…
A composition about a moment caught in a fold. The plasticity of folded cloth is arrested — every element is a small sculpture in which the folds catch light and…
A composition about a turn. Every element reads as a maple seed or as a swift in flight: a contour of polished golden tube with a clear faceted wing stretched…
One element of the flock taken in close-up. The contour seems to hold the light inside a given silhouette and keep it from spreading: an unbroken line of gold…
A composition about a border that does not cut. The divider does not split a space, it separates it into layers: air and light pass through, silhouettes behind it…
A composition about a downpour at sunset. The opal surface glows softly from within, without glare: the light seems dissolved in the mass rather than hidden inside…
A composition about a branch lying along the wind. The tubes reach out in horizontal waves, and on them, like buds, sit crystals — the light is drawn out along…
Light composition — object sculpture LC0579
A composition about a landscape suspended in air. Crumpled plates of mirrored gold read as a molten flow, white matte elements with live openings as bone or coral,…
A composition about cloth that has caught a gust. Vertical sheets bend into free folds, and light from within makes a rigid form look soft — the contradiction the…
A composition about how a finish changes the voice of a form. The brand's familiar flagship curl is rendered in a dense glossy finish: the silhouette has become…
A composition about a sky mixed with a forest. Soft lumps — white and mossy green — read as fragments of a cumulus sky and as fragments of a canopy at the same time.
A composition about a principle from which combinations grow. Every module is self-sufficient — one panel works as a wall light.
A composition about nature never repeating itself. That principle is built into the piece itself: every rod is like the section of a mineral, with its own veining,…
A composition about a molecule. Amber bubbles join polished spheres into clusters — bonds, chains, points of attraction: an enlarged fragment of matter, alive and…
A composition about rain under wind. Here the rain does not fall straight down but at a slant: the elements hang with a slight diagonal offset, and the gold tubes…
A composition about an object of the inner circle. The piece lives on a table, a console or a shelf, at arm's length — where the texture is visible and the…
A composition about a bouquet that will never go over. Every flower is open in its own direction — the moment of flowering fixed at its best phase.
A composition about a line written in one movement. A vertical loop of polished gold holds two clear drops inside it — the contour sets the geometry, the drop…
A composition about ascent. The cascade narrows downward and the piece reads as a current slowly rising, drawing the light up behind it — the movement runs against…
A composition about a branch growing up a wall. The flowers open in different directions, the trumpet stems fly apart in a free graphic — the vertical reads as a…
Wall light — sculptural composition LC0564
A composition about living matter. A band of mirrored gold with ragged edges is stitched with cells — the skeleton of a sea sponge; inside the cells sit milky…
Wall light — sculptural composition LC0563
A composition about a pen drawing. The light travels along the edges of the folds and gathers into a shimmer of contour: the silhouette of the wall light is drawn…
A composition about repetition as rhythm. Every module is a separate graphic brushstroke; together they give repetition, symmetry and contrast.
A composition about a chase. Half the petals glow, half are faceted polished chrome, and around the circle they chase one another: light after shine, shine after…
Floor lamp — vertical light sculpture LC0560
A composition about a shoot that has broken through a column. The stems set a strict vertical rhythm, and a clear twisted form appears inside it — like movement…
Floor lamp — vertical light sculpture LC0559
A composition about a flame that does not burn out. A cold base and a hot top — the whole object is built on that contrast: a technical, almost architectural base…
Floor lamp — vertical light sculpture LC0558
A composition about water arrested mid-fall. The contour holds a strict geometry — the tubes rise in a bundle and finish in smooth arches; the drops inside break…
A composition with a plot. Out of a wave a flock of birds flies — the moment when the sea lets the sky go.
A composition about an enfilade. Every element works as an arch through which the next one is visible: the composition is built on depth and rhythm rather than on…
A composition about a stroke of the brush. Fine drawn-out forms read as feathers or as the traces of quick movements — a gesture rather than an object.
A composition about a balance of opposites. The white glossy boat-shapes open with a soft glow from within; the chrome ones work by pure reflection, breaking an…
A composition about a rising current. The petals are arrested in free flight, each with its own curve, turn and height; together they gather into a spatial…
A composition about a moment that changes along with the viewer. From different angles the piece reads differently: now a current, now a flowering, now a firework…
A composition about an inverted flowerbed. Greenery above, flowering at the tips: the garden is hung roots up, and the leaves reach downward like shoots through…
A composition about a form between three things. The matte mantle reads as a calla flower, as a sail and as the wing of a ray — the author does not specify,…
A composition about lace turned by the sea, and about what grows through it. White plates with an organic perforation hold the structure while cascades of ruby…
A composition about a reef raised from the sea floor. Two kinds of element form a colony: openwork blue-violet nets, like the fans of gorgonians, and white…
A composition about suspension. This is not a chandelier in the usual sense but a light environment: the movement of air, an accumulation of particles, a…
The same bouquet, taken larger. The corollas are scaled up, the garland is loosened, and air appears between the flowers — the piece stops being a dense line and…
A composition about a bouquet of living and man-made flowers at once. Two characters of corolla — milky white and smoky clear — are gathered into one garland, and…
A composition as a collection. Inside the large elements are gold ammonites in relief: ancient spirals of time enlarged by the faceting as by a lens.
The same fracture, taken off the wall. The wings with their split-rock texture are released into the air and repeated — not one object but a mass: dozens of…
The same fracture at intimate size. One element, taken from the mass and hung on the wall at eye level — where the texture is seen close to and the slit of light…
A composition about a fracture. Two black relief wings — the texture of split rock or the bark of an ancient tree, with gold veining along the edges of the breaks…
A composition about light where the sun does not reach. Elongated cocoons with a cellular surface have grown in darkness: not one repeats another, as in nature.
A composition about a fragility that must not be over-lit. The light here does not dominate, it accompanies: fine gold drop-luminaires are dissolved through the…
A composition about frozen rain. The tubes descend in a dense cascade — jets caught by frost halfway down.
A composition about a storm. Fan-shaped wings twist through space in swift spirals — the feathers of a firebird, or petals caught by the wind.
A composition about a trace on ice. The ribbons wind in smooth spirals — the crests of waves, untied bows, the arcs left by a skater: a form with no beginning and…
A composition about the beginning of autumn. Smoky and pale leaves alternate, giving the cloud a depth and a weather that a uniform mass never has: the sky in the…
A composition about turning in different directions. Every element is twisted its own way, and the cloud seems alive, fluid, breathing — if the coils all ran the…
A composition in two scales. The architectural rigour of the blocks — and the weightless scattering of drops around it: the city and the rain work at the same…
A composition about sunflowers looking for the sun. The flowers face in different directions — the bouquet has no front and is beautiful from any position, because…
A composition about the sun caught in the flesh. The glow sits right at the stalk of every fruit — where a real olive holds its stone.
A composition about rain arrested in a body. Inside every faceted lozenge, gold sparks shimmer — drops caught at the moment of falling and left there for good.
A composition about a creature that answers the air. Long trains of tentacles — fine threads strung with pearl beads of differing calibre — respond to any movement…
A composition about germination. Out of a faceted cocoon shoots break upward — twisted, with the texture of a stem just watered; around them, on invisible threads,…
A composition as a scene. One piece contains a whole underwater episode: a ribbed dome the colour of a sea wave, clear tentacles arrested like jets, and a shoal of…
A composition about a slow pulse. Some domes are open, others contracted — the colony is shown in different phases of one movement, the very movement by which…
A composition about the solid pretending to be silk. The plasticity is deliberately textile: folds, ruffles, softness — the ribs of the domes work as the spokes of…
A composition about a bouquet with no front. The flowers face in different directions and the cluster is equally beautiful from any position — this is how you…
A composition about miniature tornadoes. Cones with pleated skirts read as inverted glasses or as the funnels of a whirlwind — a form in which everything converges…
A composition in two tempos. The strict architecture of rings — and the weightless, melting dust of rain around it: the piece is a draft drawing and a cloud at once.
A composition about a dive. A wing with a bubbled mass flows into a long gold tail-spike — the form of a swallow at the moment it folds its wings and drops.
A composition about foam and water. The matte tenderness of the opal rays and the cold shine of the chrome tail-spikes work as a pair: a soft body and a mirrored…
A composition about a face and a reverse. Outside the petals are deep graphite, inside milky white: the dark contour holds the form, the pale interior fills it.
A composition about an inverted city. Faceted obelisks descend in dense formation — the towers of a Gothic city turned spires down.
A composition about a rising seam. The eye reads a movement from the bottom up: a large nugget below, and above it a scattering of shards rising on invisible…
A composition about sparks over a coal. Below, a large core of deep red; above it a plume of crystals rises — what flies up at the moment a white-hot thing is…
A composition about an inverted canopy. Gold trunks with forked joints carry a harvest: white petal-fruits and clear faceted drops.
A composition about two layers. Outside, a full flower head of dozens of curved petals — from honey to cognac; inside, a white branching frame, a bone coral that…
A composition about a rain of its own. Every parasol is tilted its own way, as though catching something of its own — and the swarm stops being a formation: every…
A composition about swirled syrup. The bubbled mass in the green-and-amber "rings" reads as a viscous liquid with bubbles caught in it — movement stopped halfway.
A composition about a piece of jewellery at the scale of an interior. Large faceted links are joined by gold bushings into live vertical chains — literally a jewel…
A composition about an object let go. A table lamp is a thing whose name says everything: it stands on a table.
A composition about a double temperament. The wings are clear, the bodies gold: the cold anatomy of flight and a warm heart inside every bird.
The same flock twisted into a vertical column. The birds rise in a spiral, like a current caught by a draught — and the composition fills a vertical with movement…
A composition about the time of day. The gradient of the flock reads as the passage of a day: from daylight above to dusk below — from white through dusty rose to…
A composition about flight in all its phases at once. The wings are open, folded, turned — one movement broken into frames and gathered into a single vertical.
A composition about a feather cast in mercury. Mirrored crescents with the finest ribbed texture circle in a vortex around an invisible centre — the movement is…
A composition about a runway. The ribbing on a broad single wing turns it in the evening into a strip of light — the same marking that rules an airfield runway,…
A composition about snow in headlights. The dense bubbled texture on V-shaped wings reads as frost on a window, and in the evening it gives the principal effect:…
A composition about a migration over a northern sea. Birds of a smoky blue shade fly in a vertical stream — calmly and steadily, without drama: this is neither a…
A composition as an event. This is not a luminaire but the central object of a space: giant wings opened to their full span, holding a hall single-handed.
A composition about a shaving off a cutting tool. Springy rings and half-rings of ribbed ribbon repeat a form that arises by itself — as a by-product of work.
A composition about a game stopped on the winning move. Cubes assemble into a structure with setbacks, cantilevers and towers — a construction set with no final…
A composition about a knot. The knot is an ancient sign of connection and of infinity; here it is turned into sculpture and repeated by the dozen, each with its…
A composition about a formula written in the air. Hexagonal honeycomb frames are linked into a horizontal chain — a structure out of a chemistry textbook carried…
A composition about a branch found in a forest. The composition spreads horizontally, repeating the curve of a real branch — not straightened and not symmetrical,…
A composition about the body of water. This is the brand's most numerous shoal: hundreds of figures circle in a giant ring, filling a space the way a real shoal…
A composition about reflected space. Rounded mirrored boulders crumple like liquid metal and reflect an interior as a circular panorama — the piece does not show…
A composition about a leaf fall twisted by wind. The funnel narrows downward, the elements circling densely — the form of a vortex that has drawn fallen leaves…
A composition about a stamen made of pure light. A gold needle with a glowing filament passes through every bud — the light burns along the whole axis, exactly…
A composition about a vine on a column. The branches climb the wall from bottom to top, and the composition turns a plane into a flowering relief — a gardener's…
A composition about rigging. A ship's tackle is translated into the language of luxury: some columns keep a genuine rope texture in a warm flax tone, others are…
A composition about the phases of a wave. Every element is arrested in its own: crest, fall, run-up — together they give not a drawing but the storyboard of a…
A composition about a current stopped mid-movement. Every ribbon has a plasticity of its own: here a wave, there stretched cloth, there a jet of air.
A composition with no light of its own. The piece works exclusively on borrowed light: the gloss and the gold border gather a room's illumination and shift with…
A composition about lace turned by the sea. The organic perforation in the white plates reads as coral lace — a pattern nobody drew: the water left it.
A composition about an underwater landscape dissolved in air. The piece lights less than it creates depth: curved plates swim in a funnel through the body of the…
A composition about water in a frame. A strict contour and free plasticity within — a formula that makes the object architectural and alive at once: the frame…
The same wave stood upright. Clear blocks are assembled into a strict column inside which a fluid form rolls: strict outside, alive within.
A composition about an oyster with fire instead of a pearl. White valves open in pairs, and between them hang amber "mussels" — what the shell is opened for has…
A composition about equilibrium. A disc on a fine needle axis — a spinning top stopped in perfect balance: a position that in reality lasts fractions of a second.
A composition about wealth hidden inside. Stone outside, sun within: the split geodes show a dark mercury surface on the outside and a hot gold in the break.
A composition about split ice. The radial frost texture on the triangular plates reads unambiguously: that is how cracks run out from a single blow — from a point,…
A composition about lily of the valley at the scale of a chandelier. A small woodland flower is enlarged to the size of a formal piece — a device that changes the…
A composition about an inverted colonnade. Turned spindles of spheres, rings and cones descend as a dense forest — a balustrade taken out of a palace and hung from…
A composition about a stroke of the pen. Every curl is twisted its own way — as a hook, a loop, a comma: the gesture of a nib left in the air and set.
A composition about a scattering of diamonds. Faceting of jewel precision is repeated hundreds of times: what usually exists as a single specimen kept in a safe is…
A composition about a state rather than an object. There is no lighting here in the ordinary sense — there is light coming apart, weightlessness and quiet…
A composition about a canopy and a flock at once. White feathers with a wavy, live plasticity are intermixed with dark green leaves — the shadow of foliage within…
A composition about an ornament torn loose. Carved acanthus leaves — the very ones that grow on Corinthian capitals — have been torn off by the wind and circle in…
A composition about shoots. The ribbons are tied into loose loops and waves and gathered into a dense garden of vertical gestures — the movement here is directed…
A composition about scales. Three-dimensional pyramids hang as a dense swarm, facet to facet — that is how scales lie: element against element, without gaps, with…
Spatial sculpture — light composition LC0470
A composition about an explosion stopped in the moment. Faceted boulders — like uncut diamonds — hover among crumpled petals as thin as foil, with live creases.
A composition about a setting for a firefly. In every drop a round opening is cut, and through it passes a cable with a point of light: the source hangs inside the…
A composition about a meadow lifted into the air. Thousands of trefoils gather into a dense vertical cloud, uniform from a distance and breaking up close to into…
A thinned-out version of the same meadow. The trefoils hover more freely, there is air between the elements, and the cloud breathes — instead of a wall there is a…
A composition about a bundle of kindling. The rods are laid as a loose armful and cross at live angles — the way branches lie when caught by a cord: the chaos is…
A composition about a nest woven out of gold. An oval wreath of interlaced branches carries clusters of drop-flowers — the form reads both as an upturned basket…
A composition about a cut fruit. The scaled shell is built petal by petal, and in the cut a milky interior glows — the piece shows what on a real lychee is visible…
A composition about a whirlpool. Faceted plates of differing length descend in a spiral cascade along a frame — a vortex twisted from ceiling to floor.
A composition about a sunset cloud. The field is gathered into a relief: large veils at the centre, small ones at the edges — the way a real cloud is built, with…
A composition about weight that does not press. Voluminous folded forms drawn together at a gold knot read as pouches tied with a cord, or as buds an instant…
A composition about direction. This flock has no top and no front — only a direction of flight, and that is set at assembly.
A composition about laundry in the wind. Every leaf is bent twice — not once, as in a static form, but with a second fold of the kind only cloth gets when a…
A composition about fur made of hoarfrost. Semicircular fans are built from a dense needled texture — what grows on branches over a frosty night: not smooth ice…
A composition about pebbles. The form is deliberately simple — a smooth stone with rounded sides and a live, uneven surface: something a river rolled rather than a…
A composition about a downpour under a spotlight. Narrow faceted lancets descend in a dense vertical cascade several storeys deep — hundreds of arrows with one…
A composition about rain turned into jewellery. The light is hidden inside long stems and descends the shaft, filling the drop right to its tip: the source is not…
A composition about a meadow after rain. Discs with a radial texture and a live wavy edge read as mushroom caps or as angelica flower heads — the sort of thing…
A composition about a leaf stalk. The gold capsule here is fixing and source at once: the rays of the texture radiate from it exactly as the veins radiate from the…
A composition about a regatta in the dark. Triangular prisms hang from chrome yard-bars — the form quotes a sail outright and the bars read as spars: a fleet held…
A composition about a ring on water. The rays radiate from one point, and even a static form reads as movement — a drawing that always has a source and a direction.
A composition about a fan. The pleated disc reads both as a scallop shell and as the cap of a mushroom — what they have in common is that the folds radiate from…
A composition about a curtain of scarves. Hundreds of ribbed "kerchiefs", bent at a free break, descend as a dense vertical volume — an almost textile gesture…
A composition about a pirouette. The ribbed funnels read as pleated skirts in a dance — a form that exists only in movement: a stopped skirt does not hold its folds.
A composition as gesture. One continuous ribbon woven of thousands of the finest tubes winds in free waves — a silk scarf thrown into flight, or an aurora tinted…
A composition about a garland that stayed for good. The branch spreads above the table as one continuous line — a festive gesture stripped of its occasion and…
A composition about the spiral of life. The axis grows dozens of tendrils, each ending in a drop: the form reads both as a molecule and as a flower head turning…
A composition about a firework held in the act of opening. Bundles of tubes sit as stars on a branch — these are both fir boughs in hoarfrost and a firework caught…
A composition about an explosion in slow motion. Ribbon-strips — bent, twisted, alive — sit as dense crowns on rings descending in a vertical spiral.
A composition about a frost star on a window. Sharp faceted spindles are gathered into burrs — a prickly, radiant form, exactly what hoarfrost draws: from a point…
A composition about a liana. The spiral grows from the top down, putting out large leaves — the way a plant reaches in a conservatory when it has nothing to catch…
A composition about a mercury icicle. A mirrored funnel draws out into the finest of tails — a form in which everything runs downward and ends in a point.
A composition about repetition. Hundreds of identical gestures differing only in height and tilt — the botany here is strict, almost architectural, and that is the…
A composition about a winter forest. The two-colour formation reads directly: the white cones are trunks in snow, the dark green ones are conifer.
Wall light — sculptural art object LC0437
A composition about a surface grown by nature. The deep cellular texture reads as crystallisation or as cell structure — a drawing with no author.
A composition about a natural phenomenon. Every drop is a complete luminaire, yet on its own it means nothing: only mass turns a set of objects into rain.
A composition about a repeated gesture. One and the same form — a disc with soft concentric waves — is taken in different calibres, from a saucer to a tray.
A composition about an element caught and made to shine. Ribbons of thousands of vertical rods twist into a giant spiral narrowing toward the bottom — the form of…
A composition about a spinning top. A top exists only while it spins — here there is a swarm of them, stopped mid-spin, tilted in different directions the way real…
A composition about an inverted organ. Ribbed columns with capitals descend in a V-shaped cascade — pipes taken out of the instrument and hung in the air.
A composition about a banking turn. The dynamics are built into the structure: the lines of the frame draw the movement and the elements pick it up.
A composition about a wave that has passed through an organ. A strict vertical of elements and a free curve of suspension — the whole piece rests on that contrast:…
A composition about a seed. A smooth drop — a form in which everything is compressed and nothing is shown; on some elements there is the finest engraving of…
A composition about weight pretending to be vapour. Every dome is crumpled its own way, like a cloud sculpted by wind — and it looks weightless although it is a…
A composition about passion and restraint. The white flowers burn, the burgundy ones keep silent: the light lives only in the pale bowls while the dark ones hold…
A composition about lace. Openwork discs with honeycomb perforation read as a frost pattern or a hand-made doily — but are executed with machine precision.
A composition about handwriting. Hundreds of commas written by one hand, and not one of them the same: each is curved by its own movement — a rise, a turn, a fall.
A composition about kelp in a column of light. The ribbons wind around a vertical frame — they do not wrap it decoratively, they reach upward, as weed reaches for…
A composition about heat under ash. The light burns only inside the clear stones while the red ones merely reflect it: the ruby mass does not glow on its own, it…
A composition about a flare. Curved tusks break out in every direction from a mirrored core — the sun at the moment of a prominence, a dandelion enlarged to a…
A composition about coral grown in air. The tees link into an extended structure hovering horizontally, and the differing orientation of the elements makes it…
A composition about a colony. White tees link into a porous vertical structure with voids, bends and inner passages — coral grows exactly like this: not to a plan…
A composition about a bow. Broad mirrored bands are tied into loose loops and knots that hover in the air — a gesture from the world of wrapping and gifts,…
A composition about a rising vortex. Crescent ribbons wind around a vertical axis like petals caught in a current — the movement is directed upward rather than…
A composition about an inverted city. Plates with a cellular honeycomb texture descend in tiers, and the composition reads as a stalactite cave — architecture…
A composition about a branch under the weight of a harvest. The sprigs bend into crescents — not for beauty but because they carry a load: the form follows the…
A composition about an invisible chain. Clear loops catch on one another like links — the structure holds by its own linkages, and where metal should be there is…
The same loop stood upright and rendered in gold. The cascade is gathered into a heart, the loops linking into a living mail coat — the same logic of the invisible…
A composition about a flowering branch above a path. The vine reaches out horizontally and the flowers look down — exactly as a real magnolia branch leans over a…
A composition about a constellation. The stars are scattered along the branches rather than set on a grid: the branches gather them into a figure the way…
A composition about mass. Hundreds of identical capsules — streamlined like grains, caught by a gold band — fold into a wave field with a deep relief.
A composition about a crown. Thick hoops with an inner bubbled texture catch on one another through gold collars — dozens of rings entered into each other like the…
A composition about the moment between botany and fireworks. Hundreds of fine stems break out from a single centre and fall away into a full sphere — the form can…
A composition about a wave of sails. The cones, opening downward, are gathered into a relief: a dense crest at the centre, sparse elements at the edges.
A composition about a night garden. The flowers read as silhouettes and the light as their core: a dark register is rare in light compositions, and the piece looks…
One turn of the spiral, taken off the staircase. An arc with its dense fringe of faceted rods is lifted out of the great vertical and hung on the wall — a fragment…
A composition about a staircase of light. The arcs twist into a spiral from top to bottom, and on each hangs a dense fringe of faceted rods.
A composition about seeds filled with light. White valves open to reveal a clear core with a scattering of points shimmering inside it — a fruit shown in section,…
A composition about an upturned basket. Large faceted fruits hang in clusters beneath gold capitals, from which bundles of fine rods project — ears of grain above…
A composition about an explosion stopped at its best moment. From a vertical axis, stem-rays break out in every direction, and at the end of each a bud opens with…
A composition about a branch above a bench. The vine winds as a horizontal line and reaches out above the table exactly as a real branch reaches out above a garden…
A composition about the plan of a city in three dimensions. The bars are fixed at right angles: horizontals and verticals fold into a volumetric grid in which…
A composition about the last drops. The cascade is gathered into a heart: a dense core at the centre, sparse elements at the edges and solitary spindles hanging…
A composition about a bonfire drawn out along the ceiling. Every element is twisted helically: a white gloss face on one side, polished gold on the other.
A composition about a city seen from above. The mass reads as blocks of differing height, narrow alleys between them, a light in every window.
A composition about a dragonfly's wing. The finest longitudinal hatching on every leaf is not decor but structure: on a real wing these are the veins that hold the…
A composition about a single movement. A square plate is pressed in at the centre and turned up at the corners — a figure folded with one push, with no pattern and…
A composition about a night sky. Large stars of the first magnitude, a fine gold scattering between them, thinned edges and a dense core — the distribution is…
A composition about different phases of flowering. The buds are turned in different directions, some open, some only just parted — a thicket rather than a bouquet:…
A composition about the sky before a storm. The lilac tone fills from within — the colour the air takes on a few minutes before rain.
A composition about an orchestra before a concert. Trumpets of differing calibre look up, down and sideways — that is how a brass section looks while the players…
A composition about opening. Some flowers are fully open, some are only beginning — the cascade shows the process rather than the result.
A composition about autumn. Colour decides everything: burnt ochre, ash, warm bronze — a muted autumnal register, rare in light compositions, where white and gold…
A composition about wisteria on a pergola. The flowers are set densely and turned every way, the cascade descending as a dense vertical cluster — the way an…
A composition about April. The flowers vary in size — fully open, half-opened, tight buds — as on a real magnolia branch, which flowers before the leaves and does…
A composition about rings on water. The concentric waves on every disc are arrested in the mass — a drawing that lives for a second on water and is held here for…
A composition about the sun in a drop. Light reflects off the inner surface of every hemisphere and gathers into one bright point — the same optical focus a dew…
A composition about a section. A dense concentric cutting — the section of a shell or a fingerprint enlarged to the size of a platter.
A composition about flight. Every plate is bent its own way — origami that has almost sprung open: the form is caught at the moment when the fold no longer holds.
A composition as quotation. The silhouette of an old chandelier pendant is enlarged and cleared of everything surplus: the shaped, almost lacework contour remains…
A composition about geometry arguing with ornament. The same baroque pendant is set in dialogue with flat rectangles of polished gold: strict facets against shaped…
A composition about armour. The leaves hang in dense tiers, overlapping like plumage or like plates of armour, and the cone narrows downward: the form reads now as…
A composition about a grove. Fine tubes of differing height rise from the floor — a stand of bamboo or a rank of organ pipes; between them, threaded on rods, hover…
The same language, assembled more densely. The leaves are threaded one above another along a spiral and form a single twisted trunk; the tubes rise in a bundle…
A composition about order breaking. Below, strict graphic work: the even verticals of a bundle, a clean line, nothing surplus.
A development of the theme: the ribbons are twisted upward and fly apart more freely, like tongues of a bonfire caught by the draught.
A composition about a bouquet in a narrow vase. From a massive cylindrical base rises a bundle of fine tubes, each finishing in a trumpet with a wavy rim.
A composition about a cob. The leaves sit in layers, overlapping, by the dozen — a dense vertical where every row covers the one before.
A composition about a candle with no flame. Every clear petal is coiled along a spiral — a form somewhere between a calla leaf, a sail and a tongue of fire; below,…
A composition about a vortex laid on its side. Flat polished ribbons are twisted into spirals and threaded on a straight axis — movement fixed in the horizontal,…
The same spiral stood upright. The ribbon twists around an invisible axis from the floor to the top; the base is a simple ring out of which the vortex literally…
A composition about a stone with a hole in it. The rings are thick, irregular, slightly skewed — as though turned by water rather than cast.
A development of the ring theme at a formal scale. The rings are larger and thicker, with a scattering of bubbles inside: the mass looks aerated, alive, as though…
A composition about a shoal going round an obstacle. The shoal moves diagonally, deeper and lower — not as a formation and not as a cloud but as a trajectory: the…
The same image without light. Three white figures on fine rods on a shared base: one ahead, two following, all in different phases of movement.
The same shoal in a matte execution. Here the light does not pass right through as it does in the clear version — it comes out from under the wing as a soft halo,…
A composition about smoke caught and frozen. Inside every tube the finest fibrous texture is visible — arrested streams, like a feather in the body of ice.
A composition about what has not yet opened. The bud is coiled into a spiral: a sharp point at the top, a soft shell below, the edge running inward on a smooth…
A composition about a stroke of the pen. The ribbons are coiled into rings and loops — as though someone had written in the air in one continuous movement and left…
A composition about a bush in bloom. Fine rods spread in every direction, interlacing into a volumetric sphere, and on each tip sits a pointed flower with a gold…
A composition about ripple. Thousands of narrow plates of varying length fold into a spiral that twists downward through several floors.
A composition about a cluster. The branches hang down in a dense cone, narrowing toward the bottom and ending in a few solitary sprigs — like a real cluster pulled…
A composition about rain through foliage. Two tiers work toward one image: above, a dense ring of leaves with the sources hidden between them; below, dozens of…
A composition about vanishing. A thick form rolled into a shell with a wavy edge — an orchid petal, a rolled leaf, a sea shell.
A composition about frozen water. The surface of the discs looks fractured — not decorative hatching but a deep cleavage yielding dozens of facets.
The same water lily taken out of the composition. A single disc with a fractured texture on a short curved bracket that comes out of the wall and holds the leaf at…
A composition about scales. Cones are threaded in rows so that each is turned point outward and its neighbour points back: the result is dense scaling, like the…
The same scaling gathered into a cascade. The cones are threaded in tiers on rings of differing diameter: the upper rows are wide, the lower ones narrow, and the…
A composition about a dandelion. Hundreds of tubular elements radiate in every direction from a central sphere, and at the end of each is a gold ball, like a seed…
A composition with a plot of its own. The birds here are not decoration but participants in a scene: one dives, another hovers, a third is only approaching, and…
The same scene in a green register. Flowers of two kinds — clear olive-green and milky white — open as wide bowls; between them hover chrome hummingbirds with…
The same story in white. The absence of colour shifts the accent onto plasticity: you can see how each flower is coiled along a spiral, how the edge turns, how…
A composition with a plot — the rare case of an object that does not decorate a space but tells a story.
A flock with no leader. Every bird is generalised to the limit — two wings and a body, not one surplus detail — and precisely for that reason the eye sees movement…
An object about a shell being a house built along a spiral. The form is coiled so that it has neither a beginning nor an end: the gaze is drawn inside and finds no…
A composition about a fragility that turns out to be stronger than stone. A dragonfly lives one season, but its silhouette has not changed in two hundred million…
Water frozen together with everything that was in it. Inside each element there is a suspension: bubbles, sparks, grains, as though the sea had frozen before it…
The man-made pretending to have been found. The crystals are split irregularly, the facets meet at random angles, and the object looks lifted out of rock rather…
A branch that was not cut but grown again. The leaves are twisted and turned out of step with each other — there is no garland rhythm here, there is the disorder…
A pond lifted to the ceiling. The bowls open upward rather than down — and that inverts the usual logic: the light here does not pour onto the table, it lies in…
There is no natural form here — only pure structure. The object is built like a thought: a horizontal, a vertical, a node, a pause.
A flower caught at the moment of opening. The petals are not fully unfurled — the movement is stopped a little before it finished, and the whole life of the object…
The same flower, brought down to human height. The bloom is tilted slightly — like a real one reaching for the light — and the floor lamp stops being an object and…
White on white — the hardest task in product design: with the colour taken away, form has nothing left to hide behind. Here it holds.
Rain with neither a beginning nor an end. Dense gold at the top, clearer and clearer toward the bottom — the composition dissolves into the air instead of ending…
Three spheres threaded vertically — and three different views of one object: from the ground floor you see the lowest sphere, from the first the middle one, from…
A form impossible to repeat twice. The lines do not follow the rules of a sphere, they fall as thread falls — freely, overlapping, with hollows and thickenings.
A polar sky carried into a room. The colour moves from deep emerald at the top to clear at the bottom — the way a real aurora melts toward the horizon, having no…
Hoarfrost enlarged to the size of a palm. Inside each plate needles radiate from the centre — the drawing winter makes on a window overnight and erases by noon.
A collection of vessels that never held anything. Bellied flasks, drawn-out decanters, squat retorts — the forms are taken from craft and released from function.
One floe, stood against the wall. A single plate is taken out of the ring — rough, chipped, full of inclusions in its depth — and hung vertically: what was a point…
Ice from a river shallow, set on edge. The surface is rough, chipped, full of inclusions — the substance is deliberately left imperfect, because perfect ice does…
A border the gaze passes through. The screen does not cut a space off, it separates it into layers: movement is visible behind it but not detail — exactly as much…
The same system stripped of contrast — and denser in sound because of it. The white is removed and only a warm metallic tone remains, with deep shadows in the gaps.
A gesture rather than an object. A broad band is thrown into the air, twisted and left in the position it was caught in — the whole composition is one movement…
Interlight Russia · Russian Lighting Design 2022 — Special prize · Best luminaire design 2021–2022 · series award
The same ribbon in a dark reading — and that changes its nature. Here it lets almost no light through and works as silhouette; only a chain of lights along the…
A bridge thrown across where a bridge has nothing to come from. Two ribbons meet at the apex and part toward the edges, breaking off at a crumpled edge — an arch…
A knot whose beginning cannot be found. The loops enter one another, cross, break off — a topology the eye tries to untangle and cannot.
A backwater seen from above. The bowls are laid overlapping, like leaves on still water — with no order and no centre, arranged the way the current arranged them.
A form caught at the moment of compression. The body looks crushed by hand — uneven facets, creases, the marks of pressure — and that is the only thing happening…
A curtain after the performance. The panels are thrown over rings and set in different phases: some sag, others are caught up and raised — movement stopped halfway.
A tropical plant cast whole. The leaves are twisted helically, with a sharp tip and a deep lens in the body — a form taken from nature and carried through to an…
A rare format for the brand: not a luminaire but a piece of architecture. Here the light is built into a structure people run a hand along — and that changes the…
An object with no colour of its own. The composition shows nothing that belongs to it — it gathers up the interior around it and gives it back distorted, the way a…
The same branch with the sign reversed. Where the neighbouring model reflects light, this one lets it through — and the result is the opposite character from…
A flowering with half the blooms still closed. Some corollas glow from within, others stay blind and merely reflect their neighbours — a garden caught halfway…
The corolla of a giant flower seen from inside. The plates are angled toward the centre and downward — the composition opens upward while the viewer looks at it…
A leaf crumpled and smoothed out again. Every crease is left in place — that is the work: a piece about the trace of effort rather than about a smooth surface.
A bird's tail at the moment of opening. The bands are angled and overlap one another — the movement is stopped halfway and the eye completes what it cannot see.
A soap film stretched on a frame and never burst. The membranes sag and pull taut between the rods, forming concave surfaces — a form that in nature lives for…
The same structure turned opaque — and by that turned from a diagram into a sculpture. Every bend, every tension in the surface is visible; what could only be…
A bonfire arrested at the moment of the flare. The tongues are twisted into spirals and drawn upward — the movement runs against gravity, and that is the only…
The same fire, divided in two. Half the tongues burn evenly and softly, half flare with sharp highlights — one flame shown at two temperatures at once.
Driftwood raised out of the forest and hung from the ceiling. The trunks are worked down to their cracks, knots and burls — the texture is real, found rather than…
Cold fire — a contradiction placed at the base of the piece. The colour is not a warm pink but a crimson with violet depth: the elements look lit even with the…
Wind made visible. The ribbons are twisted helically and drawn out in one direction — the whole stream is moving, though no element will shift from its place.
A net sagging under its own weight. The form is set not by a designer but by physics — the mesh falls the way any net stretched between fixed points will fall.
A thicket seen from below — the way a fish sees it. The rods vary in length and are slightly curved; they sway to the eye even in complete stillness.
Light hidden inside something that absorbs light. The surface is matte, downy, almost textile — it kills highlights completely, and that is the whole calculation.
A surface that flows into itself. The form folds and unfolds without a single corner — the tail of a fish, the wing of an insect, a wave at the moment it turns…
Stones split by hand rather than worked on a machine. The faceting is deliberately irregular — the piece is about chance being more precise than symmetry.
An artefact raised from the sea floor. An irregular trunk, a porous rough surface with runs down it, gold trumpet-cups grown into it like polyps — the object looks…
The ripple from a drop that fell a few seconds ago. Rings run out from the centre of each disc and overlay the rings of their neighbours — a drawing that water…
A system of beacons, each with a beam of its own. The cups work as parabolic mirrors: light bounces off the concave surface and leaves as a directed cone —…
Gold that lives in the depth rather than on the surface. Foil is fused into the mass — the leaf looks transparent and metallic at once, and the contradiction is…
A glacier at sunset — two states of water in one composition. The blue crystals read as ice, the amber ones as arrested sun, and together they give what the…
A garland that does not end. The composition is built like a line of text: it runs the length of the table and has neither a beginning nor a full stop — only rhythm.
A form that is barely there. The elements are so clear that what you see is not them but the pattern of scoring, hanging in the air.
A flock flying out of light into shadow. Half the feathers glow right through, half work as silhouette — and the transition between them sets the direction of…
An object with two faces. Outside, white modesty with not a single highlight; inside, solid gold. Walk around it and the piece changes completely, from matte…
A composition made entirely of reflections. It has no colour of its own and almost no surface — only a mirror in which the interior, the light and the cluster…
A spiral as a way of leading the eye. The elements turn around a shared axis and the gaze travels them from top to bottom as it would travel steps — the…
Spring taken as a colour. The lime green is cold and young — the shade that stays on foliage no more than a fortnight a year.
A contour drawing carried out into the air. The metal traces the form the way a setting traces a stone, and the middle stays empty — the piece consists of a line…
A bird simplified to two strokes. A forked tail, sharp wings — a silhouette in a dive with everything removed except recognisability.
A form taken all the way to a sign. A body, two wings, not one detail — recognition rests on silhouette and tilt, and that turns out to be enough.
The same flock, but gathered before take-off. If the sparse version is about flight, this one is about mass: a cloud in which the individual bird no longer matters.
Two different lights in one field. Some elements glow evenly and softly, others brightly and in points, with a highlight deep inside; the composition is built on…
A whirlwind coiled around a spiral staircase. The composition does not hang in the shaft, it passes through it — from the top floor to the bottom, accompanying…
Foam that was not allowed to burst. Every element differs in size and is slightly irregular in form — like a real bubble, which has no two identical siblings.
A fold with gold hidden inside it. From the outside the form is restrained and white; inside there is a gilded cavity with the source: the piece shows its interior…
A ring that outlines a space rather than filling it. The inner part is empty — and that emptiness works on equal terms with the material.
A sheet of paper caught in flight. The pleating reads as folds in cloth, and the form as something a draught picked up and would not let fall.
The same ribbon in mirror — and the opposite character because of it. Where the matte version is soft and diffused, this one is sharp, flaring, cold.
Icicles under an eave. The lower edge is ragged and the elements differ in length — the composition is deliberately not levelled, because levelled icicles do not…
Ice with whatever was in it frozen in place. Bubbles and swirls remain in the mass, so under light the piece looks like a genuine block rather than a coloured shape.
Resin with something caught in it for good. Gold foil lives in the mass, and when the light comes on it passes through, scattering warm sparks inside the body of…
An ingot cast into a transparent shell. The gilding is applied from the inside, so the element stays clear on the outside and burns with metal within — the form…
A nugget given a transparent shell. The gold lives inside the mass — it creases, catches the light and glows through from within, while staying out of reach.
A frost pattern seen against the light. The disc glows not by its surface but by its drawing: the light enters at the centre and runs out along the relief,…
The same pattern, but with the structure left open. The bar is not hidden — it cuts the circle in half and becomes part of the drawing rather than a service detail.
A backwater under the moon. The glow is silvery and cold — the same form in warm light would read as decorative; here it stays graphic.
An armful of branches thrown into the air and caught before it reached the floor. The angles are accidental, the crossings uncalculated — the whole piece is about…
A sun that has a reflection. A crown of petals radiates from the centre, and in the middle there is a mirror: the object is a luminary and a window at once.
A fabric that does not bend. The petals are laid in dense overlapping rows and the surface reads as embroidered cloth, though it will not give by a millimetre.
A field suspended in weightlessness. There is a great deal of air between the elements — the composition does not press down with mass, it is distributed through…
A thicket translated into the vertical. Stalks with swollen joints reproduce bamboo down to the rings at the nodes — a replica taken to botanical accuracy.
An object with no appearance of its own. The mirrored drops reflect the surroundings and each other — the composition consists entirely of what is around it.
A shoal held still in the current. Every wing is curved in its own way: some folded almost in half, others barely bent — phases of a single movement laid out…
A form wrapped around emptiness. The loops are coiled around nothing — what holds the object together is inside it and does not exist.
Pebbles from a river shallow, lifted into the air. The form is worn down to complete simplicity: not one corner, not one detail, only a smooth volume.
Chainmail woven out of light. Links are joined into chains, chains into a fabric, and the lattice comes out alive because every link is slightly irregular.
A score for three voices. The clear rings carry light along the arc and flare at the breaks, the gilded ones reflect and work as accents, the matte ones glow…
Metal caught in the act of flowing. The form has run and crumpled — it looks not made but happened, as though it had been stopped a second before it flowed further.
A mosaic that does not hang down. The composition spreads beneath the ceiling as a flat layer — it does not occupy volume, it marks out a plane.
Black outside, sun within. The whole object is built on a single device: the sphere stays dark and matte on the outside while the light lives deep inside and…
Pleating that works as venation. The relief radiates from the centre, and when light passes through the thin wall the folds emerge like the veins of a real leaf.
A horn with light pouring out of it. The form is taken from a wind instrument: a bell rolled from a sheet, its rim crumpled differently on every element.
The same water lily, turned invisible. The discs are so transparent that they read only through relief and highlights along their rims — the form exists, the…
Presence without a face. The figure is reduced to silhouette, pose and drapery — there are no hands and no features, and because of that the object stops being a…
A window where there is no window. The panel solves a problem a picture cannot: it gives not an image but a condition — the view into a conservatory early in the…
The same device taken to drama. Here the light does not diffuse but strikes in patches, and the leaves read as shadows against it — charcoal silhouettes on a…
A form that refuses to be named. A shell, a sail, a petal, a wave — the object reads as all of these and as none in particular, and that ambiguity is deliberate.
A hearth in the middle of a cliff. The upper part hangs above the fire — an opaque mass suspended so that a gap remains between it and the hearth, through which…
Two elements in one vertical. Damp greenery behind a matte pane above, an open flame below — water and fire set one above the other with no intermediary.
A find lifted out of a dig. The figure is wrapped in bands carrying signs — pictograms, symbols, something like writing that cannot be read and makes you want to.
A moon risen over a field. The sphere is set off centre, and around it the elements grow smaller and denser — as though drawn in by the gravity of a body heavier…
A panel that failed to hold its contents. The shoal has crossed the boundary of the circle and swims across the bare wall — the composition loses its closure…
A panel that failed to hold its contents. The central gesture is that the fish do not fit inside the frame: part of the shoal has already crossed the edge and is…
One form at a distance, a hundred forms from two steps away. From afar it is a dense sphere; come closer and it breaks into separate elements, each at its own angle.
Knowledge escaping its binding. The image reads at once and without explanation: the volumes open, the pages separate and fly downward, and the lower you look the…
Tiling on a tower, scales on a tail. The elements are set overlapping and offset — a construction invented independently by nature and by builders, each for their…
A vortex pressed to the ceiling. The tiers are offset from one another around the circle, and the mass winds into a spiral, forming a shallow funnel — movement…
A column with no boundary. Density is distributed unevenly: the mass is thick at the middle, thinner toward the edges, with individual fragments hanging on their…
Marked Award Winning — the badge appears on the brand photography for this item. A view from the bottom of a pond.
Marked Award Winning — the badge appears on the brand photography for this item. Mass gives form, light gives movement.
A lens instead of a lamp. The elements do not glow of themselves — they gather light arriving from above and from the side, and work as optics rather than as a…
The birds do not glow — the flowers do. The division of roles is strict: source below, reflector above, and the whole scene rests on the hunter being lit by its…
A branch that has wound itself around a space. The base is curved into a broad loop in the horizontal plane — it reads not as a structure but as something that…
Plasticity fixed at the moment the material was still yielding. Every element is twisted and rolled into a funnel, and the form is never repeated — this is not a…
A snowfall with no lower boundary. The mass is dense at the centre and thins toward the edges, the top empty — only a net of cables.
Shards, not blanks. The edges are torn, cut at random angles, the surface undulating — every plate reflects light unevenly, in bands, like foil smoothed out by hand.
Ink released into water. Cobalt is drawn into the clear body in uneven bands and swirls — a pattern water makes for itself and never repeats.
Marked Award Winning — the badge appears on the brand photography for this item. A skirt in movement.
A spiral still unwinding. The top is almost empty, the whole mass below — the composition is caught at the beginning of a movement, not at its end.
Shell and burning core. From outside the element stays white and opaque; inside it burns — the light emerges through a narrow warm slot at the fold.
Ripple instead of surface. The mosaic is set so that neighbouring facets face different ways: dense green here, almost white there, drifting into sea blue…
A wood in autumn sun. Some elements are almost invisible, others burn amber — the mass never reads as dense, it shimmers in patches, like a crown with low sunlight…
Marked Award Winning — the badge appears on the brand photography for this item. A crown that grew rather than being assembled.
Water striking an invisible obstacle. Above, the ribbons run strictly vertical in a tight bundle; lower down they separate and curve gently outward — a jet that…
A column of bubbles in a glass. The composition looks as though it were rising rather than hanging: the top is held by an even net of cables while the spheres are…
A meadow seen from below. The flowers face downward, each hanging at its own cable length, denser below and sparser above — an inverted pyramid the viewer looks…
The regular hatching of water and the free movement of living things inside it. The whole idea rests on that contrast: the rain is dense and even, the shoal sparse…
A grove, not a row. The leaves hang at varied levels and orientations, and between them run bare rods with glowing points: hatching that establishes volume where…
The same line, released to any length. The composition is counted in running metres: the ribbon is extended section by section, and the pattern of the wave is…
Marked Award Winning — the badge appears on the brand photography for this item. Pure plasticity of line.
A leaf that changes colour as it turns. One side is cool and matte, the other warm and mirrored — the element switches over entirely at the slightest swing.
An Eastern engraving hidden in a mirror. The ornament is matte on a mirrored ground, so it reads only at an angle and changes as you walk around — the pattern…
The same architecture, translated into geometry. Instead of a flowing botanical motif — a strict repeat: lozenges, meanders, broken bands running in a spiral…
Velvet below, thorns above. The contrast is set hard: an opaque matte base across which light does not slide but settles in bands, and a bristling luminous crown…
A structure held together by a difference in weight. Below, a heavy dark block with a white vein; above, a weightless fringe — and between them a stem that all but…
A cluster filling with light. The petals are crushed as though squeezed in a fist — the form was not calculated but obtained, and that is what makes it convincing.
A bush lit from within. The branches are uneven, knotted, dividing — a form taken from a coral colony or from driftwood tumbled by the sea.
Frost settled on rock. Below, stone with violet, ochre and golden veining — the most colourful element in the whole structure; above, a colourless mass working…
The same cone, but set on stone — and a different object because of it. Instead of a light disc beneath the shade there is now a heavy wedge, and the lamp becomes…
An icy bush on a stone plinth. The crown looks accreted rather than manufactured: uneven branches with runs, descending in layers of varying length.
A ribbon that changes colour as it turns. Every element is twisted a half-turn on its axis: white gloss on one side, gold on the other — and the crown never looks…
The same crown on a light base — and the object changes character. You can move it with one hand; it does not bind a zone to itself the way the stone versions do.
A ridge of ice floes forced to the surface. The shards stand vertically in a dense array, slightly turned toward one another — the way ice rises into pressure…
A meadow with fewer flowers in it than it seems. There are not many buds, but hundreds of small beads between them — the density is created not by the flowers but…
A wall of rain caught in a single frame. The rods stand in a dense array, the lower edge wavy from the difference in heights — a downpour in which every thread is…
A pod in motion, not a set of figures. The dolphins run in waves, some higher, some lower, all turned the same way — you read direction and speed.
A column shedding feathers. The column is dense at the middle and thinned at its ends: below, individual feathers break away from the mass and hang on their own,…
A weave that reads differently from every side. A white ribbon runs inward, a gold rod comes out, the next ribbon covers it again — volume is built by alternation…
A composition about light stacked like a wall. Links with an opening at their centre are laid in offset layers — the device is taken from masonry, where strength…
A composition about the unopened. A pine cone, a bud, a cocoon — a form in which everything already exists but nothing has yet been shown.
A composition about the lining. Every element is a broad sickle with a deep hollow: white and opaque outside, polished gold within.
A composition about coal. Black outside, heat within — a device as old as a campfire, brought here to a form.
A composition about the depth of water. Elongated leaves of deep bottle green shading into transparency at the rim — a colour that belongs to a body of water, not…
A composition about weightlessness. The manta is the only large creature that does not swim but flies: its movement is closer to a bird's gliding than to a fish.
The same magnolia at another hour. The crown is loosened, the branches are drawn apart, and the garden turns from a dense sphere into a spreading branch — the…
A composition about dusk. The magnolia flowers before its leaves — a bare branch on which large cups open straight away.
A composition about morning. The same device as the dark version, read in full light: gold cast branches woven into a sphere, and on them large flowers with a…
A composition about the upstroke. A narrow curved sickle with sharp ends and a slight twist on its axis — the form reads both as a wing at the moment of lift and…
A composition about a flock that has already scattered. The same sickle form — a narrow wing with sharp ends and a twist — but read quietly: a white matte mass…
A composition about structure that does not hide. Chromed rods run right through the column, and the author does not mask them — on the contrary, broad gaps are…
A composition about the body of water. Discs with a deep funnel at the centre — a section like a lens: they are not merely coloured a marine shade, they accumulate…
A composition about recognition. A monstera cannot be mistaken for anything else: the deep splits and through-holes are its signature.
A composition about shedding. The garland sags at the centre and opens upward — the form of something stretched between two points, alive, with a sag from its own…
A composition about how light is caught. Here the sources are not hidden inside the elements — they stand separately, on fine gold rods, while clear caps with…
A composition about cold flame. An elongated lozenge twisted on its axis is a form you cannot draw at rest: the half-turn makes the eye complete the movement upward.
A composition about ripeness. The ear of grain is a form with a season: it exists only at the end of summer.
The same ear of grain, read in winter. The geometry is kept but everything else is inverted: the leaves thin toward their tips to full transparency, the offshoots…
A composition about a support that disappears. The frame here is graphite-black and matte — deliberately made invisible, so that when lit the gold sails seem to…
A composition about the outline. These leaves have no body — only a closed thickened rim, with emptiness or the thinnest membrane inside.
A composition about a frozen downpour. Hundreds of needles point downward, gathered into a dense shallow bowl — thicker at the middle, sparser at the edges.
A composition about the trace of wind. There is no cloud here and no symmetry — there is a line: the leaves run in a broad arc that winds into a spiral, and…
A composition about the time that tumbles things smooth. These stones have no facets and no correct geometry — only rounded flanks and a matte surface, as though…
A composition about a shell with light sounding inside it. A broad bowl with a rolled rim — a section like a shell or a petal curled by heat.
A composition about what is left. The fragments are crushed and smoothed out again: folds, creases and torn edges are all preserved.
A composition about the moment of stopping. A spinning top exists only while it spins; a stationary top falls over.
A composition about a flower made of a single leaf. The calla is a rare case in botany: its "flower" is one leaf wrapped around itself.
A composition about the passage from dawn to dusk. White and gold are not mixed here but drawn apart to the ends: the white boats gather on one side, the gold on…
A composition about the setting. The petal here is placed inside a second, clear form: an opaque grey-white core surrounded by an amber shell, with an air gap…
A composition about a ribbon of fire. Boats with sharp raised prows stand close and overlap, so the line reads as a continuous mass rather than a row of separate…
A handful of seeds left on the wall. A few elements from the great scatter are gathered into a compact vertical bunch — what read as a crown in the composition has…
The same scatter, assembled from modules. The composition is counted in elements: each is a finished form, and any number of them makes up a field of the required…
A composition about the seed. An elongated grain with pointed ends — a form in which everything is compressed to the limit: it is a pip, a spindle and a drop…
A composition about the crack as ornament. Crazing is usually counted a defect: a net of fine cracks across a surface.
A composition about a paper bird. Two triangular sails meeting at an angle, sharp tips, a short keel — the form is folded, not modelled: what you read in it is a…
A composition about an optical illusion. Every element is presented corner-forward, with three faces visible, and so reads now as a cube, now as a hexagon —…
A composition about masonry made of grain. Elongated forms with rounded sides — a grain, a pill, a river stone — are laid in dense rows offset by half a step.
A composition about a thicket. The calla is a flower that does not open but wraps itself around: a funnel with a turned rim and a drawn-out tip.
A composition about weaving. A four-pointed star whose tips converge toward the centre, with concave sails forming between them — joined at their points, the…
A composition about the reflected room. Triangular elements with an undulating polished surface are each bowed differently, so the reflections on them stretch and…
A composition about chainmail. The same device of four-pointed elements joined at their tips, but executed entirely in polished gold.
A composition about light broken across facets. The triangular sails are slightly bowed, so a soft chiaroscuro without hard highlights appears across the plane —…
A composition about two sides. The element is twisted a half-turn on its central axis, so it shows both faces at once: one white and opaque, the other gold with…
A composition about braking. An open fan with sharp tips and a deep hollow — the silhouette reads both as a bird's tail as it kills its speed before landing and as…
A composition about a hidden core. An elongated lozenge is twisted on its long axis, and the twist creates pockets — inner folds you cannot see into from outside.
A composition about ash and heat. The outer face is opaque, dark grey and rough — as though covered in ash or oxide.
A composition about depth. The tinting is uneven: almost colourless in places, thickening to honey in others, with visible runs in the body.
A composition about dried time. Real fern fronds are sealed inside the plates — a fine silhouette with every pinna drawn, held in the body for good.
A composition about a curtain. The lozenges are strung on fine vertical cords — the construction is closer to a bead curtain than to a wall: it hangs rather than…
A composition about rock above fire. Below, a living flame; above it a tall cylinder built from hundreds of overlapping flat plates, like masonry or tiling.
A composition about a break. The surface is uneven, with cavities and matte patches — not a product but a splinter of ice or a slab of rock salt.
A composition about a nest. Hooks with turned tips interweave into a tangle — a mass with neither top nor bottom, only interlock.
A composition about sparseness. What matters here is not what is present but what is absent: the elements lie almost flat, in layers at varied levels, barely…
A composition about monochrome. There is no gold here and no contrasting inset — only white, and all the work falls to form and light.
A composition about a whirlwind. The cascade is wound into a spiral: it begins high as a narrow stream, widens at the middle and narrows again below, curving…
A composition about directed sound. The bell is a form from the world of sound, not light: a horn, a gramophone trumpet, a megaphone.
A composition about the stroke. Close longitudinal grooves run the whole length of the leaf, and that changes everything: the surface shifts in density as it…
A composition about a colony. The sea anemone is a creature that does not move and does not look alive until it starts to glow.
The same colony, but with something to hold on to. The anemones are set not on cables but on a tubular branch curved into a broad loop in the horizontal plane: the…
A composition about a crown. The elements stand vertically around the perimeter, tips upward, and lean outward — the silhouette comes out exactly like a diadem or…
A composition about interlock. The rings pass through one another and form couplings — the composition is held not by its suspensions but by its own connections.
A composition about a ripple. The line of elements rises and falls, forming two crests with a trough between them: on the crests the elements bunch closer, in the…
A composition about movement in a circle. The shoal runs in a closed loop around an empty centre — and that emptiness is the point: the fish are circling around…
A composition about a root. A long winding tube with smooth turns and swellings — a form with no geometry: neither a root nor a stem nor a weed ever has any.
A composition about a galaxy in your hand. Thousands of the finest bubbles are sealed within the body of each dish, gathered into a spiral around the centre.
The same galaxy taken at scale. Here the dishes are gathered not into a sparse group but into a dense multi-tier mass — several dozen elements, broad at the top,…
A composition about undergrowth. The pods are gathered in groups of three to five, in the manner of an inflorescence — neither singly nor as a solid mass.
The same shoal, but moving in one direction. There is no ring here — a dense horizontal mass, hundreds of individuals in tiers, all heading the same way.
A composition about a moment. Every element is inclined the same way at the same angle — like grass laid down by wind.
A composition about rain. Fine rods of varying length, each with a large drop at its end, stand in a dense array — you see through them as through a downpour.
A composition about two directions. Two forms work in opposite ways here: the bells open upward and give their light to the ceiling, the icicles hang down and…
A composition about the surface of water seen from below. The plates hang almost horizontally, in layers, and the composition is gathered into a broad oval with a…
A composition about living fabric. The spacing on every strand is different — in places the elements sit close, elsewhere long empty stretches remain.
A composition about a shell that holds light. A broad bowl with a wavy rim and a deep dent at its centre: copper-rose and calm outside, mirrored within.
A composition about a knot. Broad ribbons are rolled into loops and figures of eight, twisted freely, each in its own way: some form a closed ring, others break…
A composition about plumage. The feathers are laid overlapping in a ring, their tips facing outward and inward at once: the outer row sets a radiant contour, the…
The same device, opened out. The feathers are laid not in a ring but in a spiral: a dense coil above unwinds downward and runs off to the right as a tail, shedding…
A composition about a wreath coming apart. The main mass is laid in a dense overlapping ring, but on the right the feathers break away one after another: first in…
The same wreath, but shedding downward. The direction is reversed: instead of wind carrying feathers sideways, weight and fall do the work.
A composition about two temperaments. Soft and sharp meet here: broad crumpled caps with wavy rims and long faceted spikes drawn downward.
A composition about descent. The colour changes with height: clear and colourless above, drifting into smoky blue lower down, near-graphite at the very bottom.
A composition about the gills beneath a cap. The pattern radiating from the centre is taken from a mushroom — from the part of it people never look at: gills exist…
A composition about a gaze from the depths. A large disc with dense radial pleating — hundreds of fine petals running from the centre to an uneven rim — holds a…
A composition about something grown rather than assembled. The branches curve in a broad loop in the horizontal plane, divide, and on every stalk sits its own…
A composition about soft and hard. Rounded scaled buds — and straight rods set obliquely between them.
A composition about the valve. In a scallop the fan pattern is not decoration but structure: the ribs hold the thin valve together.
A composition about mercury. Crumpled stones of irregular geometry, each with a pressed-in surface — as though fingers had been drawn across something soft — are…
A composition about the nugget. The face is polished to a mirror while the sides and back drift into dark patina — each stone reads as an ingot lifted from the…
A composition about what is inside. The oyster is a thing whose entire value is hidden: a rough layered shell outside, a nacreous layer with speckling and marbling…
A composition about a scree slope. Large crumpled stones hang almost touching, at varied levels, and the mass reads as continuous and heavy — a rockfall suspended…
A composition about a rain of stones. The curtain is not regular: some strands descend deep, others break off high, and the spacing of the beads differs on each.
A composition about a caught drop. Every inverted drop with its sharp tip hangs on a fine hook bent like a question mark — a thing that ought to be falling turns…
A composition about a creature without a skeleton. The jellyfish is a body held together by water; taken out of its medium it stops being a form at all.
A composition about a summer evening. The firefly is the only insect people find beautiful, and only because it glows.
A composition about dropped fabric. The panel is crushed and folded in large pleats — the form matter takes when you let it go.
The same spinning top, but in a dense array. Here the elements stand close together, layered, with a wavy lower edge: not a swarm but a mass.
A composition about the berry and the thorn. Thousands of faceted spheres form a soft pale mass, among which narrow bronze petals with sharp tips are scattered.
A composition about a cave. A stalactite grows drop by drop over thousands of years — a form made entirely of time.
A composition about density. Hundreds of drops hang almost touching, in layers — a mass so thick that it stops reading as individual elements.
A composition about a ripple on metal. The line rises and falls in two crests with a trough between them — a wave set by the length of the suspensions.
A composition about a thicket growing downward. From a round mirrored base runs a dense fringe of fine rods, and monstera leaves sit along its lower edge, forming…
A composition about an armful. The stems spread from a round base outward and downward, each bending its own way: not a bouquet set in a vase but an armful thrown…
A composition about a leaf that has already lain a while. Each element is slightly crumpled and rolled at the edge — not flat, but the shape a leaf takes after a…
A composition about tearing. The fragments are torn and crushed: ragged edges, deep creases, not one correct geometric line.
A composition about a split mineral. The facets meet at random angles, without symmetry — the way a stone looks when it has been broken rather than cut.
A composition about fragility in quantity. One butterfly is a detail; a hundred butterflies are an event.
A composition about a dismantled stained-glass window. Every feather is assembled from separate coloured segments joined by silver soldering, and the seams form…
A composition about a dismantled stained-glass window. Every leaf is assembled from coloured segments joined by gold soldering, and the seams work as veins and as…
The same technique in a hot palette. Scarlet, brick, orange and ochre — and among them a few single green leaves: the ones that have not yet turned.
A composition about the way soft coral grows. Long curved stems with a swelling at the tip are each turned differently: some hook over, some stay almost straight.
A composition about what is inside a flower. From outside the piece is closed — only the white matte surface of the petals, laid in overlapping layers.
A composition about a current. The mass runs from the upper left corner to the lower right in a broad band, with every leaf turned along that direction.
A composition about structure visible only against the light. Thin plates with a pronounced fibrous structure read by day as simply pale — all their complexity is…
A composition about two halves that behave in opposite ways. The left is white, glossy, reflective, without a single pattern.
A composition about hatching. Short clear rods hang horizontally, the rows running in tiers, curving as they rise and fall.
A composition about growth rings. The frame is built from concentric rings of varying thickness, and the rings are irregular — they wander in width and sit…
A composition about a whirlpool. Instead of even rings the frame is wound into a large spiral fold — the surface rotates around the centre like a funnel, or fabric…
A composition about a single fold. There is no fine detailing here: a broad band wraps the mirror in a circle and turns back on itself, leaving the cut visible.
A composition about a ripple on water. Soft undulating folds spread from the centre in uneven circles of varying depth and width, welling over one another and…
A composition about a shell enlarged many times over. The form curls in two opposing waves with a deep hollow between them, and close linear hatching runs across…
A composition about a drawing carried into space. The frame of fine ties joined into an irregular polyhedral net is not concealed — it is the principal form.
A composition about a piece of earth lifted into the air. The volume is entirely covered in preserved moss — dense, velvety, with an uneven living surface; the…
A composition about a single line. There is no set of elements here — there is one continuous strip, twisted and crushed into a loose knot: it folds over, crosses…
A composition about a chain that holds nothing. Large irregular links are threaded one through another, each crumpled and twisted, none repeating its neighbour.
A composition about the pearl in the shell. A shell grows in annual accretions — several nested layers with wavy edges, spiralling toward an off-centre core, with…
The same shell set upright. The layers no longer run in circles but converge upward toward a pointed apex, with the pearl shifted into the upper third: the form…
A composition about a ring that burns only at its edge. The band is broad, its surface wavy, crushed and twisted along its whole length; the inner opening is not a…
The same solution in hard plasticity. Instead of soft waves — large planes meeting at angles, and an inner opening with sharp projections and hollows.
A composition about the mark of the hammer. Uneven dents, grooves and swellings run across the whole frame — as though the metal had been struck while still soft.
A composition about a whirlpool. The folds run in coils around an off-centre opening, welling over one another and narrowing toward the middle: a funnel, fabric…
A composition about a mirror that is barely there. The opening is very small and set deep into the frame: almost the entire area is given to relief, and only…
A composition about the point everything gathers toward. The sphere here is polished rather than matte: it gives no light of its own but collects and redirects the…
A composition about dark water. Concentric waves of deep black with a mirrored gloss spread from an off-centre point, welling over one another — rings from a stone…
A composition about a city. Arches, windows, portals, rectangular plates — some with rounded tops, some stepped, some flat: the vocabulary of architecture broken…
A composition about a horn with a crystal. The element is double: a cone rolled into a bell with an open mouth, and a faceted cube at its wide end.
A composition about the fruit and its medium. Large pomegranates with faceted sides and a dimple on top are rare and heavy; around them falls a dense vertical rain…
A composition about freezing rain. The rods are overgrown with small crystals along their whole length — uneven accretions, thicker in places, sparser in others.
A composition about growth. Segments with rounded sides are stacked one on another, each throwing off short offshoots — the form reads at once as coral, as a spine…
A composition about a colony. Every element differs from its neighbour — three offshoots here, five there, a wider mouth on one, a narrower one on another.
A composition about a thrown handful. The rods hang at wildly varied angles — horizontal, oblique, crosswise — and intersect to form a lattice with no centre and…
A composition about a paper cone. An elongated cone with an open mouth below and a sharp apex above, thin walls, a wavy fire-polished rim — a rolled cone or a…
A composition about the difference between finishes. The wings themselves give no light here — the sources stand between them, on gold holders.
The same form, stripped of contrast. The wings are entirely clear, and giving up the second finish changes the piece fundamentally: instead of the interplay of…
A composition about a shoreline. Several different forms meet here — broad discs with a thick lens at the centre, curved white crescents, narrow curls, occasional…
A composition about prayer beads. The beads are strung several to a rod — larger above, smaller toward the bottom — and each strand ends in a drop.
A composition about the fogged window of a greenhouse. The pane here is not perfectly clear but carries condensation and fine droplets on its inner face — and that…
A composition about a greenhouse quarter. Rectangular cases and cylinders of differing heights stand in a dense array at varied levels and together read as a city…
A composition about a summer night in a vineyard. The roles here are strictly divided: the foliage gives form and shadow, the fireflies give light.
The same botany without the fireflies and at a larger calibre. There are fewer leaves, they are markedly bigger, and each one reads on its own — instead of a mass…
A composition about a vein of amber. The stones are irregular and tumbled, with faceted sides and dents — not one repeats its neighbour, the surface smooth and…
A composition about tension released. Each plate sags in an arc between two fixing points — the form fabric takes when you stop pulling it.
A composition about a bird drawn in a single stroke. The simple tick — two blades diverging at an angle, with uneven edges — is how a child draws a bird and how a…
A composition about flame set in depth. Each drop is twisted on its vertical axis: the wall spirals around the core, the sharp tip staying above and below.
A composition about full bloom. The flowers sit close, in whole clusters, with gaps between them — the crown reads as grown rather than set out on a grid.
A composition about the snowflake. No two are ever alike, and the piece is built precisely on that: more rays here, longer ones there, an off-centre hub elsewhere.
The same twisted drop read in graphite. The device rests on a division of temperatures: outside everything is cold — grey smoke, steel highlights, white points…
A composition about the vine. The branches curl freely and interweave into a vertical spiral — a vine grows by clinging, and its form always follows a support.
The same spiral, with flowers instead of fruit. White cups with two or three reflexed petals, opaque outside and glowing within — closer to bindweed or calla,…
A composition about a thicket. The rods are woven freely, with no geometry at all: they bend, cross and separate like branches in undergrowth.
A composition about a wreath drawn out into a spiral. The laurel is a symbol whose form has always been closed: wreath, ring, circle.
A composition about what has fallen. The magnolia sheds its petals whole — they lie on the ground uncrumpled and stay beautiful for another day or two.
A composition about a vortex. The mass begins broad at the top, twists into a spiral and descends, narrowing to single elements.
A composition about a shaving. A narrow twisted ribbon with close transverse scoring along its length — a curl taken off by a blade.
A composition about a thrown handful. The elements are laid out in a free circle — denser at the centre, sparser toward the edge, each turned differently.
A composition about a deep wave. The line drops sharply at the centre and lifts at the ends — not a gentle ripple but a full trough.
A composition about emptiness in a setting. Square and diamond frames are closed along their outlines while their centres stay empty — the piece consists of…
A composition about the broken link. No ring is closed — a section is missing from each, and it is precisely in that gap that the light bursts out as a bright point.
A composition about a line folded into a loop. A long pin bent into a half-circle at the end reads both as a paper clip and as the tubing of a wind instrument.
A composition about a crumpled sheet. Each plate has been crushed and smoothed out again — creases, folds and torn corners preserved entirely.
A composition about a scarf picked up at its centre. The material is suspended from a single point and falls freely in folds — a form that cannot be designed, only…
A composition about the spindle. A rod with a thickening at its middle is among the oldest tools there is, and its form has not changed in thousands of years…
A composition about the candle. The form reads unambiguously, with no stylisation at all: a cylinder in a gold sleeve.
A composition about brushwood. The rods hang almost horizontally at varied angles and cross one another, forming a three-dimensional lattice — the way gathered…
A composition about balance. A horizontal rod passing straight through a disc, with collars at both ends — a scale beam, a propeller, a spindle laid on its side.
A composition about what was broken and set again. Inside every medallion lies a net of cracks and shards compressed into a single layer: ice split by frost and…
A composition about an inverted crown. The bowl opens upward and tapers below to a sharp point: a cone standing on its tip — a crown set on the head, or a flower…
A composition about a surface that answers. Every scale rotates freely on its own axis, and so the wall is alive: it responds to moving air and to anyone passing by.
A composition about backlight. A real shoal seen from below looks exactly like this: some fish flare, others stay silhouettes, and it depends not on them but on…
A composition about what draws them in. The light is hidden inside the tangle, the butterflies sit outside — the piece literally shows the reason they are here: a…
A composition about a field seen from above. The mass is packed element to element without a single gap — this is how a flowering field looks from height, where…
A composition about an enfilade. The frames are nested one inside another like a matryoshka, and the light passes through several outlines in a row — a perspective…
A composition about a wingbeat. The mass is gathered into a lens — broad at the centre, tapering to sharp points at both ends; the petals are turned along the…
A composition about the outline. A fine gold band runs along the rim of every petal, tracing the form and flaring at each bend.
A composition about a body that is barely there. The moon jellyfish shows only its ribs: everything else is transparent enough to read as emptiness.
A composition about a pond in the rain. The discs hang almost flat — leaves on water; the threads run to the ceiling in dense hatching — the downpour above them.
A composition about wind. The mass runs from the upper left corner down to the right, thinning as it goes; the last feathers hang alone, far from the group.
A composition about a wingbeat. Two broad wings open upward and outward; between them the mass thickens and trails downward, where the rods thin to singles.
A composition about a cross-section. Concentric arcs around an off-centre point draw close, then open to reveal the ground — a tree ring, a fingerprint, ripples on…
A composition about a sheaf. The ribbons stand almost upright, layered and overlapping, ragged at the top and tapering below — this is how a sheaf is tied: caught…
A composition about an organ. The tubes in each cluster are cut to different heights, so the upper contour is stepped — the same logic as organ pipes, where length…
A composition about a thicket in bud. Inside — a dense stand of fine clear rods, a bristling hatch; outward and downward run curved stems, each ending in a large…
A composition about venation. A fine net of veins is pressed into the surface of every leaf — what in a real leaf is a supply system, not a drawing.
A composition about opposing movement. Below, large clear leaves hang low and flat, forming the main mass; above, small gold ones break away alone and rise high…
A composition about plumage. The plates within each row are inclined identically, while the rows themselves rise, fall, twist and straighten again — together they…
A composition about the drop. The form is perfectly smooth, with a clean transition from the narrow neck to the heavy base — the shape water takes in free fall,…
A composition about a planet with a core. At the centre of each disc sits a gold hemisphere — at once heart and source: the light spreads from it toward the rim,…
A composition about three behaviours of one beam. White gloss, polished gold and clear are mixed without system, so at any point in the composition all three fall…
A composition about a current. The arc rises at one end, sags in the middle and lifts again; the petals are turned along that line, in layers.